Art Journal

View more issues: Summer 1998, Fall 1998, Winter 1999

Articles in Spring 1999 issue of Art Journal

• The studio potential of the university art gallery
  by Linda Weintraub
• Swap meet: a cross-cultural lens project
  by Patricia Wood
• Thirty-Five Years at Crown Point Press: Making Prints, Doing Art - Review
  by Sue Taylor
• The Photographic Image in Digital Culture - Review
  by Johanna Drucker
• Re-viewing the nude
  by Leslie Bostrom
• The thumbnail: a project for teaching a visual shorthand
  by Susanna Heller
• Printmaking in America: Collaborative Prints and Press, 1960-1990 - Review
  by Sue Taylor
• Virtualities: Television, Media Art, and Cyberculture - Review
  by Johanna Drucker
• Dream/Space/Object … death/mother/bird - workshop
  by Carolee Schneemann
• Rituals that rewrite one's rules
  by Margery Amdur
• The Print in the Western World: An Introductory History - Review
  by Sue Taylor
• Creating Killer Websites - Review
  by Johanna Drucker
• W.A.R.P.: a radical solution to teaching foundations
  by Kate Morrison Catterall
• Performance art as critical pedagogy in studio art education
  by Charles R. Garoian
• Formal notes and abstract thinking
  by Saul Ostrow
• Surrealist Prints - Review
  by Sue Taylor
• Website Graphics: The Best of Global Design - Review
  by Johanna Drucker
• The art of crossing the street
  by Carol Becker
• Fine arts 349: Community, Collaborative, and Public Art
  by Andrea Zemel
• Clement Greenberg: A Life - Review
  by Robert Storr
• Landfall Press: Twenty-Five Years of Printmaking - Review
  by Sue Taylor
• Mark Rothko: The Works on Canvas - Review
  by Phylis Tuchman
• Ontological shifts in studio art education: emergent pedagogical models
  by Timothy Allen Jackson
• Beyond the Fantastic: Contemporary Art Criticism from Latin America - Review
  by Holly J. Barnet
• The Contemporary Print from Pre-Pop to Postmodern - Review
  by Sue Taylor
• Mark Rothko - Review
  by Phyllis Tuchman
• Art education as cultural practice
  by G. Roy Levin
• Theory and practice: revisiting critical pedagogy in studio art education
  by Susan E. McKenna
• Contemporary Latin American Artists: Exhibitions at the Organization of American States, 1941-1964 - Review
  by Holly J. Barnet
• Abstracting Craft: The Practiced Digital Hand - Review
  by Johanna Drucker
• Body Art/Performing the Subject - Review
  by Henry Sayre
• Color coding
  by Olivia Gude
• New genre public education
  by Gaye Green
• Latin American Art in the Twentieth Century - Review
  by Holly J. Barnet
• Immersed in Technology - Review
  by Johanna Drucker
• Contact with the Skin: Masochism, Performance Art, and the 1970s - Review
  by Henry Sayre
• Resuscitating painting
  by Jean Robertson
• In the spirit of Felix-Gonzalez-Torres
  by Sue Spaid
• Gabriele Munter: The Years of Expressionism, 1913-1920 - Review
  by James Scarborough
• Mural Painting and Social Revolution in Mexico: 1920-1940, Art of the New Order - Review
  by Anthony W. Lee
• The crit - play
  by Richard Roth
• Perspective, memory and narrative
  by Winifrid McNeill
• Aesthetic Theory - Review
  by Stephen F. Eisenman
• Photography after Photography - Review
  by Johanna Drucker
• Feminism and Contemporary Art: The Revolutionary Power of Women's Laughter - Review
  by Ingrid Schaffner